Rumor has it that this is the last of the POTC franchise –
if it is, then it’s a good end. It it’s not, they left themselves an out.
Either way is fine with me. As an end, it’s a good end. But I still love me
some pirates.
The POTC franchise was not supposed to be. Disney had the
idea of making movies based off of their most popular rides. After all, so many
of the rides were created to celebrate movies. Disney started off the idea with
the Tower of Terror, then the Country Bear Jamboree. Neither of these was what you’d
call an instant classic, but the idea wasn’t scrapped. The next two movies to be scheduled were
Pirates of the Caribbean, and The Haunted Mansion.
Everyone remembers Pirates, but few recall Haunted Mansion, which
is probably a blessing. But the massive, MASSIVE appeal of POTC took even
Disney by surprise. There had to be more movies, but no one knew what they
should be.
So the Pirates series has wandered. Commodore Norrington was
originally supposed to be the Bad Guy, but that never worked out – the character
was a decent human being from the beginning, and it was hard to overcome that.
Step in Cutler Becket, in an effort to give us the smooth, ultra-civilized
counterpoint to the pirates. We’ve seen evil Spaniards, man-eating mermaids,
Davy Jones, and the goddess of the Ocean herself. The special effects got
bigger, if not better, with every show.
Which leads us to Dead Men Tell No Tales.
POTC has always been dedicated to taking standard pirate
tropes and turning them on their ears. By this movie the tropes were beginning to
run thin. The telling of tales actually does take place, and a dead man tells
them.
Armando Salizar is an old enemy of Jack Sparrow (along with
half the inhabitants of the Caribbean) but his rage is such that, combined with
the magic of the Devil’s Triangle) it grants him, and his crew, a cursed
immortality. As previously noted, though dead, he tells his tale. By this time,
cursed crews and skeletal sailing ships are old hat for Pirates watchers. In
this movie, they’re well done, especially the half-disappeared crew. But we’ve
seen this before.
More problematic, in
my book, is the story of Will Turner. Last seen taking over captaincy of the Flying Dutchman, Will had promised to
remove the curse from crew and ship by setting the Dutchman back on its rightful path, that of transporting the dying
to the land of the dead. Under Will’s control, the cursed crew return to human
forms, and Will’s father, Bootstrap Bill is proudly serving under his son.
When we pick up in this movie, Will is cursed, and he and
his crew are growing barnacles. What happened? We don’t know, except that maybe
Disney expected us to forget how this stuff was supposed to work.
Good pirate tales seem to require a love story, and this POTC
provides us with the best one we’ve had since early Will/Elizabeth. The girl of
science, the boy of magic, drawn together in a mutual need to find the fabled
Trident of Poseidon. (Well, fabled in this story. I’d never heard of it as a
curse-breaking artifact before.)
This is a great way to pit the modern world against the
magic and freedom represented by the pirates. A note here, however. “Carina”
isn’t the name of a star. It is a constellation in the southern sky. “Carina”
is Latin for the keel of a ship, and the constillation was formerly part of the
larger constellation of Argo Navis
(the ship Argo) until that constellation was divided into three pieces. The
other two are Puppis (the poop deck),
and Vela (the sails of the ship).
Name aside, I liked the secret of Carina heritage, and the
way her father offers up his life for her. But this is a Disney movie, after
all. No dead body, no death. Notice that the body never surfaces.
One of the things other things I liked about this version of
Pirates is that people have aged. Barbosa, having gotten some prosperity magic,
has augmented his love of extravagant headgear with an enormous wig, and is
living in a style appropriate for a modern-day Ren Faire pirate – complete with
gold-plated skulls and a private orchestra. Will has grown into the solid body
of a middle-aged man. Even Elizabeth has a few wrinkles.
But in this story, Jack has little to do. In fact, the years
have dealt Jack some cruel blows. His issues with rum seem to have grown to
full-blown alcoholism, and his memory is not so sharp as it was. Also, he has no goals.. There are rules for
Jack Sparrow. He does not have a story arc. He is an unrepentant pirate, and he
must never stray from that course. Neither love nor money nor the effort of the
King of England or the East India Trading Company can change that.
In the first movie, Jack was instrumental in taking Will
Turner to sea, and in influencing Barbosa to alter his plans. Jack did this for
Jack’s own reasons, not to aid Will and Elizabeth, but he did them. Since then,
his influence on movie plots has come and gone.
His most interesting part of this adventure comes in
flashback. In the dead man’s tale, when Captain Salazar shows us the young
Jack, a would-be pirate lad whose ingenuity and Bug-Bunny like luck doom
Salazar and his crew, and turn Jack into a pirate captain.
When he gains captaincy of his fist pirate ship, we see Jack’s
new crew gift him with tribute – the thigs we see with Jack now, things he
treasures. The hat, the sash, hair beads, and so on. Yet seeing this, we
understand why, for the first half of the movie, Jack has been demanding
payment from everyone he encounters. Like a confused old retired soldier who
wants to be saluted because it reminds him of his youth, this older version of
Jack is trying to relive a time when he wits led him and his compatriots to an
amazing victory, and brought him adoration.
Seeing how far he’s fallen, it’s very sad.
Yet still, it’s a Disney movie. So Will gets to come home to
Elizabeth, Henry gets Carina (or Carina gets Henry) and all the curses are
broken. Jacks even gets to sail off into the sunset on his beloved Black Pearl.
One last note here – In all the POTC movies, the one thing
we have lacked is pirating. There’s been a true shortage of people in boats
robbing other people. That’s what pirating is, folks. At then end of this movie
– and this may be the end for Pirates, Jack Sparrow sails off into the sunset,
minus even his magic compass. I hope he
robs someone. I really do.