Statistics say that,
before it sank into the ocean in the great earthquake of 1690, the town of Port
Royal, in Jamaica, had one tavern for every two houses. This statistic is true,
if a little misleading. The business of selling drinks has changed a bit in the
last 300 years.
Let’s start with some
terminology. Today, we think of the terms “tavern,” “alehouse,” and even “bar”
as being pretty much the same thing. And if we even know about the term “public
house” we group it right in with the others.
But a Public House was a
slightly different concern. It was, literally, a house that was public.
Ale-brewing and beer-brewing at the time was untaxed an unregulated, and many,
if not most, households saved money by brewing their own ale or beer. The two
drinks are pretty similar. Grain, water, yeast and hops (if available) ferment
together to make an alcoholic drink.
Both brews can be brought
to a high art. But when the maker’s intention is mostly to kill water-borne
bacteria (through formation of alcohol) and create drink that makes the drinker
tipsy, it’s not hard to produce a mixture that’s at least satisfactory. And if a home-brewer had plenty of his
home-brew, it was to his advantage to sell it to passer-by.
So a Public House was a
house – a private home – that had been opened to the public. Anyone with enough
ale (beer is brewed in cooler climates than the Caribbean) could open his front
door, hang out a sign, and invited pirates, and others, in for a drink. For a
fee, of course.
Port Royal was not
protected by the English regular Navy. Instead, a half-organized group of
privateers and pirates made the place their home, and protected it as a matter
of keeping a secure docking-place. The sailors from these often illegal or
semi-legal ships wanted drink. And the home-owners needed cash. So doors were
opened and strange sailors were invited in.
This, by the way, also
indicates the benign intent of most pirates. If your town has a problem with
badly-behaved pirate-sailors, you don’t open your front door to them. You don’t
invite them under the same roof that shelters your wife and children. And yet
the homeowners – or at least 1/3 of them – did.
Upon entering a Public
House, the pirate – and perhaps a few of his friends – would sit down at the
family dining table and agree on a price for drink. The homeowner, his wife,
and perhaps even their children made pleasant conversation, and showed off any
skills they might have at singing or playing music. If the pirate was too drunk
to go home at the end of the evening, he could bed down in a spare room, for a
small additional fee. If there was no spare room available, a pile of straw on
the floor might be available for a slightly smaller fee. In the morning, the
family waved him on his way, and if he had enjoyed himself, he might be back
the next night.
Ale-house, and even
pot-house, were similar terms, describing a place that sold only ale, and was
probably in someone’s home.
A hostile was specifically
a place for travelers, and featured stabling for horses. While a tavern, or
even a public house, might also be able to put up a horse or two, there were
not generally enough mounted travelers on the small Caribbean islands to
require much in the way of rented horse-housing.
Actual taverns,
purpose-built businesses intended for selling drinks and providing
entertainment, were not regulated until 1752, and even then only those within
20 miles of London. The Caribbean, like most of the New World, was the wild,
wild, west as far an entrepreneurial liquor-sellers.
Taverns sold other drinks
besides ale, notably wine, rum, and whiskey. They were open on a regular basis, not just
when their owner had extra booze to sell. And they were probably more often
frequented by local prostitutes. A proper tavern could be counted on to have
several sleeping-rooms, and might offer a regular in-house musician, and even
space enough for dancing.
Taverns often also
offered newspapers and lyric-sheets. It was common at the time for song-writers
to market their works directly. Since no recordings could be made and sold, the
writer of a song would have sheets printed up with the words (usually the same group
of popular tunes were re-cycled) and then went door-to-door selling them to
taverns. If the tavern owner was interested, he would pay a penny or so, and
the song-peddler would glue a lyric sheet to the wall.
Other sorts of notices
were posted as well, and were a drawing point for potential customers. Notices
of slave sales, rewards offered for runaway slaves and servants, and notices of
pirate trials and hangings were all announced by being posted up in such public
places. And a juxtaposition between dated notices and lyric sheets on the walls
of ancient taverns give us some idea of what tunes were popular during what
years. (Guess what? One of the favorite songs during the Golden Age of Piracy
was a ballad about Robin Hood taking from the Rich to give to the Poor.)
And as for “bars” – well,
that is a word tied to a structure, usually with shelves behind it and a
bar-tender as well. A bar is useful if an establishment has one drink-server,
several kinds of liquid entertainment, and customers who want to sit near or
lean on the bar structure. The word also implies an emphasis on hard liquor – something
far less common in the early 1700’s. If you had asked a pirate to tell you his
favorite bar, he wouldn’t have known what you were talking about.
Thanks so very much for posting this information my friend. For i am in the process of working on a screenplay that i hope to have turned into a movie. And some of the characters in the story go to a tavern on Port Royal while their freshly acquired galleon is being repaired at the dockyard there.
ReplyDeleteAnd since it will take several days for the ship to be fixed properly, they need somewhere to spend the next couple nights. Therefore this little detail fits in perfectly with my story line, and helps to move my plot in the direction that it needs to be heading in order to move it to the next phase of the story.
So thank you again my friend. Much appreciated.
Take care
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